Self Portrait

watercolor on cartridge paper

Mathura Nagarpati ..... Kaahe Tum Gokul Jao....

This painting have been published in the Animation Reproter magazine,July 2008

सुबह सुबह का ख्याल आज Wapas gokul chal mathura raaj Mathura nagarpati kaahe tum gokul jaaon Manohar vesh chhod nand raaj Sar se utaarke sundar taaj Raj dand chhod bhumi par vaaj Phir kaahe baansuri bajaao Mathura nagarpati kaahe tum gokul jaao

Kaun sa anokha geet gaye pee kakool Raj paat jaise aaj bhai dhool Kaun sa anokha geet gaaye pee kakool Birhan laage phir hridaya akool Raj kaaj man na lagaao Mathura nagarpati kkahe tum Gokul jaao

Poor naari saari vyakul nayan Kusum sajaa lage kantak shayan Poor naari saari vyakul nayan Raat bhar madhav jaagat bechain Kaahe aadhi raat saarathi bulaayo Mathura nagarpati…..

Dheere dheere pahunchat jamuna ke teer Sunsaan panghat mridul sameer Dheere dheere pahunchat jamuna ke teer Khan khan madhav birha madeer Use kaahe bhool na paao Mathura nagarpati….

Tumhari piriya ab puri gharvaali Doodh navan ghivoo din bhar khaali Biraha ke aansoon kab ke, ho kab ke ponch daali Phir kaahe dard jagaao Mathura nagarpati kaahe tum Gokul jaao

Title: Mathura Nagarpati Kaahe Tum Gokul Jao Hindi Movie/Album Name: RAINCOAT Singer(s): SHUBHA MUDGAL

Vijay Tendulkar

Vijay Tendulkar (Marathi:विजय तेंडुलकर)(January 6, 1928 - May 19, 2008) was a leading Indian playwright, movie and television writer, literary essayist, political journalist, and social commentator primarily in Marāthi. He is best known for his plays, Shāntatā! Court Chālu ĀheGhāshirām Kotwāl (1972), and Sakhārām Binder (1972).Many of Tendulkar's plays derived inspiration from real-life incidents or social upheavals, which provides clear light on harsh realities. He even provided his guidance to students studying “Playwright writing” in US universities. For over five decades, Tendulkar had been a highly influential dramatist and theater personality in Mahārāshtra. (1967),

Novels: Kadambari Ek (Novel: One) (1996),Kādambari: Don (Novel: Two) (2005)

Short Story Anthologies: Dwandwa ((Duel) (1961), Phulāpākhare (Butterflies) (1970)

Plays: Gruhastha (Householder) (1947) ,Shrimant (The Rich) (1956) , Mānoos Nāwāche Bet (An Island Named 'Man') (1958) , Thief! Police!, Bāle Miltāt (1960), Gidhāde (The Vultures) (1961), Pātlāchyā Poriche Lagin (Marriage of a Village Mayor's Daughter) (1965), Shāntatā! Court Chālu Aahe (Hindi: Khāmosh! Adālat Jāri Hai) (Silence! The Court is in Session) (1967), Ajgar Ani Gandharwa (A Boa Constrictor and "Gandharwa"), Sakhārām Binder (Sakhārām, the Book-Binder) (1972), Kamalā ("Kamala") (1981), Mādi [in Hindi], Kanyādān (Giving Away of a Daughter in Marriage) (1983),Anji , Dāmbadwichā Mukābalā (Encounter in Umbugland), Ashi Pākhare Yeti (Hindi: Panchi Aise Aate Hain) (Thus Arrive the Birds), Kutte , Safar/Cyclewallah (The Cyclist) (1991) , The Masseur (2001) , Pāhije Jātiche (It Has to Be in One's Blood), Jāt Hi Poochho Sādhu Ki (Ask a Fakir's Lineage), Mājhi Bahin (My Sister), Jhālā Ananta Hanumanta ("Infinite" Turned "Hanumanta") , Footpāyrichā Samrāt (Sidewalk Emperor) , Mitrāchi Goshta (A Friend's Story) (2001), Anand Owari [A play based on a novel by D. B. Mokashi], Bhāu MurārRāo , Bhalyākākā, Mee Jinkalo Mee Haralo (I won, I Lost), His Fifth Woman [in English] (2004), Bebi

Musicals : Ghashiram Kotwal (Ghashiram, the Constable) (1972)

Translations : Mohan Rakesh's Adhe Adhure (originally in Hindi), Girish Karnad's Tughlaq (originally in Kannada), Tennessee Williams' A Streetcar Named Desire (originally in English)

Rajyabhishek sohala 7 june 1674

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Shivaji Bhosle, also known as Chhatrapati Shivaji Raje Bhosle

He can be glorified as successful, famous, blessed, valorous, meritorious and an icon of morality. There has been none like him, a knower of Dharma, who has protected Hindu Dharma in Maharashtra.

Madhura Velankar

Madhura Velankar is an Maharashtrian actress who is at present the most beautiful and leading actress. She has worked in movies like Sari var Sari. She is the best actress. She is extremely talented. Her father is pradeep Velankar, he is also an actor. Filmography Actress: 1. Matichya Chuli (2006) 2. Sarivar Sari (2005) 3. Khabardaar (2005) .... Priyanka 4. Jajantaram Mamantaram (2003) .... Rajkumari Amolhi 5. Not Only Mrs. Raut (2003) .... Advocate Swati A. Dandavate

From Memories .......

Khali Haath Shaam Aayi Hai..............

The Great Maratha Warrior

Te PUDHE GELE

TAY PUDHE GELE emerges as a pathetic story of a middle class man called A , who due to his intense desire to catch up with those who have gone ahead, (where to?) brings on himself destruction. In an absolutely different context though, the story might be reminiscent of Dr. Faustus, who in his frantic endeavor to satiate his desire, lost his soul. Not the act itself but the gruesome logic that A shrewdly builds to justify his doings in his after-life existence, could be said to be the focal point of Makarand Sathe s play, TAY PUDHE GELE, which premiered in Pune. After his death, A finds himself in a space, where few others have also arrived before him. B enters into the space. Khandu, a farmer and his wife Goda are lying there on the ground, dead tired. Rest of the people have gone ahead; and that has made A terribly jealous. He is quite convinced that only the sensitive people always lag behind. He time and again urges B not to remain an ignoramus any more and plunge into the action. Does he act? It appears that he does. At the end of the play we see him saying that the farmer, his wife and the likes of them have to be there around. If they aren t amongst us, who could we rape?" He asks rather unsuspiciously. Makarand s acute perception of middle-class sensibility, his utter concentration on the very process of A s downfall, his courage to take the play to its logical end, whatever so, and all this coupled with sardonic humour, go to make TAY PUDHE GELE a devastating theatre experience! Samanvay, the leading parallel theatre group from Pune put up a slick performance. Makarand Sathe as both the playwright and the director deserves merit for choosing none other than Gajanan Paranjpe in the leading role. Gajanan trained himself under Pt. Satyadeo Dubey for some time and is known for his excellent speech in the parallel theatre. He delivered his lines-almost a monologue-with great elan. Gajanan, just to suggest As so called intellectual uppishness, had his chin lifted up a little; and see, such a little thing gave the character its individuality. A special mention of Kiran Yadnopavit who is more of a playwright than an actor, is a must. Not many lines to speak, his B looked timid, baffled and at times at bay. Perhaps just to convey the sense of a cramped space, the director preferred to perform at the Su-Darshan Rangamach in Pune where the acting area by default is too small and tight. Harshad Pathak also followed suit and went in for the tight lighting, so to say. And it went well with the play. With just two actors and a very limited spatial requirement, TAY PUDHE GELE is one of the ideal plays that can be invited by any number of institutes and theatre groups.

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Shivaji Bhonsle, also known as Chatrapati Shivaji Raje Bhonsle (छत्रपती शिवाजी राजे भोसले) was the founder of Maratha empire in western India in 1674. Using guerrilla tactics superbly suited to the rugged mountains and valleys of the region, he annexed a portion of the then dominant Mughal empire. He is considered a great hero in India particularly in the present-day state of Maharashtra, and stories of his exploits have entered into folklore.

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